F1-ace-driven remake doesn’t quite feel like the original, but it’s still a cool flick.

C’était un Rendez-vous (It Was a Date) is probably one of the most-famous least-known car films: An eight-or-so minute high-speed run through the nearly empty streets of Paris, the whole thing shot from a camera fitted to the bumper of what sounds like a Ferrari (but was actually a Mercedes with the engine noises from filmmaker Claude Lelouch’s 275GTB dubbed in). At the end of the run, a woman waits. You could question why any self-respecting Frenchman would schedule a date that begins at dawn, but still. (We respect all copyrights, and curse the name of the scoundrel who posted the full movie on YouTube.) Today, Lelouch, who made the 1976 original and drove the camera car, released his remake, Le Grand Rendez-Vous (The Big Date—we swear, French loses all of its magic when you translate it).

Le Grand Rendez Vous was shot in Monaco on Sunday, May 24, the day the cancelled 2020 Formula 1 Monaco Grand Prix was supposed to be held. Instead, we have Monaco-born Scuderia Ferrari driver Charles Leclerc and an honest-to-goodness Ferrari SF90 Stradale set loose on the Grand Prix course. He runs it at high speed, and waiting for him at the end is … wait for it, wait for it … Prince Albert II of Monaco!

Leclerc gives the masked prince a thrill ride on the course, and then finishes to find the girl waiting. She now has a name: Rebecca the Florist. (Which would have sounded better in French.) In real life she’s Rebecca Blanc-Lelouch, granddaughter of director Lelouch and Gunilla Friden, the beauty who was waiting for him at the end of the original film.

Unlike the 1976 Rendezvous, Le Grand Rendez Vous was a properly-organized production, with 15 cameras, two Ferraris, a full rehearsal (you can see tire marks in some of the shots) and, y’know, permission. There are a scant few people and cars on the course, and we assume they knew what was happening when a 1,000-horsepower Ferrari screamed by at full tilt.

As a result, the new Le Grand Rendez Vous doesn’t have the gritty made-on-impulse feeling of the reprehensibly-dangerous outlaw original, and it’s easy to dismiss this as a glorified Ferrari commercial. But it’s still a cool film with a well-driven fast Ferrari and lots of action—and masks. Watching it is five-and-a-half minutes well spent.

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